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LA Based 🎺 2x Grammy-nominated *Artist*Trumpeter*Composer* *Educator*Producer* Band Leader to ‘Emile& The Education’ e.martinez.muzik7@gmail.com

Even Keel is a five-piece pop-rock band that formed in the Kanto region of Japan in 2020 during the pandemic. What started as members trading ideas and music files over the internet grew into far more material than they ever imagined.

Electro-Punk Duo Based in South Korea 전자펑크 듀오⚡️

Frozen Assets is a classic rock covers band based in Tokyo, Japan. Born from a shared obsession with the music that defined an era, we bring the anthems of rock's golden age to life on stages across the city. From intimate live houses to packed venues, every Frozen Assets show is an electric experience. We don't just play the songs — we channel the energy, the swagger, and the raw power that made this music legendary. Whether it's Van Halen's arena-shaking "Jump," the raw blues swagger of The Black Crowes, Steppenwolf's "Born To Be Wild," or Prince at his most electrifying — we deliver it all with the intensity these songs deserve.

🍽️ we eat🦿 - 🌱5/17 스트레인지 프룻 🥖8/8 ??? ⛲️9/12 ???

lowhighlowband@gmail.com 공연 일정 - 4/24 라클데 @liveclubday - 5/10 스트레인지프룻 @strangefruit.seoul - 5/31 BML @beautifulmintlife_

From early music to rock music I can teach and play !!

MYSTERY - Hard Rock/Heavy Metal band from Australia. EST 2010

WE LOVE YOU

No Code is a Pearl Jam cover band based in Tokyo, Japan🔹Next shows: May 5, 17:35-18:20 @clubrosso_shibuya, Jun 5 @rubyroomtokyo

Oppressed Dynasty Ent. is an independent music powerhouse built for artists who refuse to fit the mold. From hard-hitting hip-hop to boundary-pushing sounds, ODE delivers music, visuals, and culture with a global mindset. Artist-first, unapologetically independent, and built for longevity, Oppressed Dynasty is turning raw creativity into a dynasty one release, one artist, and one movement at a time.

Avant-garde does not exist. At least, it cannot survive alive on the ideological desert called popular music. In this context, it is hard to gauge the identity of PCR, who emerged wielding the No Wave genre—a genre that even in revolutionary times was almost annihilated. Appearing on this land, where the concept of capitalist realism fits more precisely than anywhere else in the world, they themselves claim that their music is not new. Even when combining an entire album with video, they borrow images far from commerciality; these images are often explosive, grotesque, sometimes sexy, and queer. The anarchistic tendencies of punk, fused with their sound and lyrics, reinforce the raw impression. Boldly citing influences on their album creation, it is reminiscent of the iconic “Odessa Steps” sequence from Sergei Eisenstein’s monumental film Battleship Potemkin.